More impressively, cityscapes never existed anywhere in the sixteenth century. El Greco may literally have invented the genre. Some art historians found this so unsettling that they had suggested that, because El Greco often included views of Toledo in the backgrounds of his religious paintings and portraits, View of Toledo may have actually been cut from the background of a larger painting.
However, we now know that this is not true. In the s he went to Rome. Although El Greco was well reputed in Italy, he failed to secure any commissions in the city, and was convinced by a Spaniard to move to Toledo, where he spent the next forty years of his life, and where he died in Why did the city of Toledo inspired El Greco to paint such a powerful picture of the city?
If he was not raised in the faith, he almost certainly would have had to convert to Catholicism. The century started with the Spanish Inquisition, in which non-Catholics were hunted out, tried, tortured, and often, killed. At the same time, people, like Saint Theresa of Avilla and Saint Ignatius of Loyola both Spanish , were preaching that, through prayer, one could be directly inspired by God, and they claimed to have frequent visions in which God spoke to them.
Because of their beliefs, even these saints came under the scrutiny of the Inquisition, although they were eventually acquitted. Almost entirely subsumed by the landscape, the city seems to be at the direct mercy of God.
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Ansicht von Toledo, c. Kunstdruck auf Leinwand Leonardo Satin , 43cm x 48cm, gespannt auf Keilrahmen. Breite Motiv, cm. Farbe des Randes. Fillet im Zierrahmen. Kein Fillet Contessa. Leinwand Leonardo Satin Canvas Venezia. Leinwand Salvador Matt Canvas Florenz. Aquarellkarton Renoir Museum Watercolor Unryu, 55g Washi mit wolkigen Kozofasern. Bamboo, g Geschmeidiges Bambus Washi. Premio Unryu, g Washi mit wolkigen Kozofasern.
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